Producer??
Redaktør: Moderators
Producer??
Jo kom til at sidde og tænke over det i dag, hvad er en producers job egentlig, fordi har aldrig forstået hvad en som Rune Rask og Troo.l.s har lavet på Dominologi?? Håber jeg kan få svaret her
?
Nu kender jeg ikke til det album/produktion du snakker om, men en producer kan lave mange ting, i en tilfælde som dette med rap musik, vil han typisk lave musiken, producere vokalerne (forstået på den måde at han skruer på knapperne og kommer med råd til hvordan vokalen bør lyde)
Der er jo også producere på rock albums, dance albums, jazz, klassisk ja alt blir jo produceret, det er så forskelligt hvad de laver på de forskellige typer produktioner.
Der er jo også producere på rock albums, dance albums, jazz, klassisk ja alt blir jo produceret, det er så forskelligt hvad de laver på de forskellige typer produktioner.
Record producer
From Wikipedia, the free encyclopedia.
In the music industry, a record producer (or music producer) has many roles, among them controlling the recording sessions, coaching and guiding the performers, and supervising the recording, mixing and mastering processes. This has been a major function of producers since the inception of sound recording, but in the latter half of the 20th century producers also took on a wider entrepreneurial role.
In the first half of the 20th century, the record producer's role was comparable to that of a film producer, in that the record producer organised and supervised recording sessions, paid technicians, musicians and arrangers, and sometimes chose material for the artist.
In the 1950's this role was performed by the A&R (artist and repertoire) directors, one of the most notable of whom was musician and composer Mitch Miller at Columbia Records. Until the 1960s most producers and A&R directors were salaried staff on the payroll of major record labels, and most recordings were made at studios owned and operated by major record labels, such as the famous EMI Abbey Road Studios in London.
In the mid-1950s a new category emerged, that of the independent record producer. Among the most famous early independent producers are the famed songwriting-production duo Leiber & Stoller, Wall of Sound creator Phil Spector and British studio pioneer Joe Meek.
This change was facilitated by the introduction of high-fidelity magnetic tape recording technology in the mid-1950s, which dramatically altered the processes and economics of music recording. Magnetic tape enabled the establishment of independent recording studios in major recording centres such as London, Los Angeles and New York. Unlike the old record company studios, which were effectively a "closed shop", these new studios could be hired by the hour by anyone who could afford to do so.
The biggest and best commercial studios were typically established and operated by leading recording engineers. They were carefully constructed to create optimum recording conditions, and were equipped with the latest and best recording equipment and top-quality microphones, as well as electronic amplification gear and musical instruments.
Top-line studios such as Olympic Studios in London or United Western Recorders in Los Angeles quickly became among the most sought-after recording facilities in the world, and both these studios became veritable "hit factories" that produced many of the most successful pop recordings of the latter 20th century.
Prior to the 1950s, the various stages of the recording and marketing process had been carried out by different professionals within the industry -- A&R managers found potential new artists and signed them to their labels; professional songwriters created new material; publishing agents sold these songs to the A&R people; staff engineers carried out the task of making the recordings in company-owned studios.
Freed from this traditional system by the advent of independent commercial studios, the new generation of entrepreneurial producers -- many of whom were former record company employees themselves -- were able to create and occupy a new stratum in the industry, taking on a more direct and complex role in the musical process. This development in music was mirrored in the TV industry by the concurrent development of videotape recording and the consequent emergence of independent TV production companies like Desilu, established by '50s TV superstars Lucille Ball and her then husband Desi Arnaz Jr.
These producers now typically carried out most or all of these various tasks themselves, including selecting and arranging songs, overseeing sessions (and often engineering the recordings) and even writing the material (or at least claiming songwriting credits). Independent music production companies rapidly gained a significant foothold in popular music and soon became the main intermediary between artist and record label, signing new artists to production contracts, producing the recordings and then licensing the finished product to record labels for pressing, promotion and sale. (This was a novel innovation in the popular music field, although a broadly similar system had long been in place in many countries for the production of content for broadcast radio.) The classic example of this transition is renowned British producer George Martin, who worked as a staff producer and A&R manager at EMI for many years, before branching out on his own and becoming a highly successful independent producer.
As a result of these changes, record producers began to exert a strong influence, not only on individual careers, but on the course of popular music. Other notable past and present independent producers include Don Kirshner (The Monkees), Mickie Most (one of the most successful of all time), Tony Visconti (David Bowie, T.Rex), pioneering Australian producer Ted Albert (The Easybeats) and, more recently, American producer and label owner Rick Rubin (Beastie Boys).
Realising the potential for creating recordings that could match their musical vision, many successful recording artists have become producers in their own right. Examples are Nile Rodgers, Jeff Lynne, Brian Wilson and Brian Eno.
Some producers also became de facto recording artists, often creating records with anonymous studio musicians and releasing them under a pseudonym. Examples of this phenomenon include the records by fictional groups The Archies and Josie & The Pussycats, produced by Don Kirshner and Danny Jansen respectively, who were contracted by TV production companies to produce these records to promote the animated children's TV series of the same name.
In modern hip hop music, the producer is generally always expected to fulfill the roles of music composer and arranger in addition to the traditional duties of record production: hip hop producers usually create instrumental tracks (or "beats") on their own, and allow artists they work with to select a beat to record over from their collection. Some mainstream hip hop producers, including Dr. Dre, Kanye West, among others produce their recordings the traditional way, by supervising a team of musicians.
In modern electronic music (not to be confused with "electronica" music, but any music created using electronic equipment, which can include rap and r&b, as well as the many different categories of dance music and new age), the producer is often the only person involved in the creation of a musical recording, and is responsible for both writing, performing, recording and arranging the material. The term "producer" is nearly synonymous with "musician" in this field. This change has been partly due to the increase of inexpensive yet powerful music production software, which allows for entire tracks to be composed, arranged and recorded at home on a PC or laptop, allowing the traditional roles of a team of people can all be performed by one individual. Popular PC music production software packages include Cakewalk SONAR, Logic Pro, Cubase, Reason, and FL Studio (formerly "Fruity Loops").
With the advent of portable recording equipment, live album production has become much more cost effective than in the past couple decades. This has resulted in thousands of live music recordings flooding the internet and music stores. Notable live concert record producers include: Guy Charbonneau, Randy Ezratty, Eddie Kramer, Mark Cavener, Allen Reynolds, and Chuck Plotkin.
-----
Film producer
From Wikipedia, the free encyclopedia.
A film producer oversees the making of movies. The producer initiates, coordinates, supervises and controls matters such as raising funding, hiring key personnel, and arranging for distributors. The producer is involved throughout all phases of the filmmaking process from inception to completion of a project.
In the early 20th century, the producer also tended to wield ultimate creative control on a film project. However, with the demise of Hollywood's studio system in the 1950s, creative control began to shift into the hands of the director.
Changes in movie distribution and marketing in the 1970s and '80s gave rise to the modern-day phenomenon of the Hollywood blockbuster, which tended to bring power back into the hands of the producer. While marketing and advertising for films accentuates the role of the director, apart from a few well-known film makers it is usually the producer who has the greatest degree of control in the American industry.
Types of Producers
* Executive Producer: usually a representative, if not the CEO, of a motion picture production company that is producing a film, although the title may be given as an honorarium to a major investor.
* Producer: the classic producer who typically has the greatest involvement and oversight among a film's various producers. In smaller companies or independent projects, may be the equivalent of the Executive Producer.
* Co-Producer: usually reports to the Producer and is more involved in the day-to-day production
* Associate Producer: typically a title granted as a courtesy or to one who played some role in getting the film made
* Production Director: ^European^ A representative of the motion picture production company assigned to the set and given the authority to act in behalf of the senior production team members.
* Line Producer: oversees a film's budget and day-to-day activities
* Production supervisor
* Production manager
-----
Executive producer
From Wikipedia, the free encyclopedia.
Executive producer is a role in the entertainment industry that is sometimes difficult to clearly define. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only.
* 1 Music
* 2 Movies
* 3 Television
* 4 External links
Music
In the music industry the executive producer of a music album is usually in control of the overall decision making in how the album turns out: how many songs are placed in the final cut, which songs are used out of the tracks produced in the process of making the album, and in which order the songs go. Additionally in this instance, the executive producer is usually someone who has had a hand in producing some of the tracks on the album. Having a certain executive producer attached to an album is sometimes used as a selling point.
In some instances an executive producer may just be someone who "discovered" a particular act, or someone who represents an act, either as an agent or a lawyer. Other times it may just be someone who financed the production of the album.
Movies
An executive producer of a motion picture is typically a producer who is not necessarily involved in any creative or technical aspects of production. They generally handle business issues, and may be a financier of a movie. Some executive producers act as representatives of the studio or production company that is releasing or producing a film, occasionally being credited as Executive in charge of production.
Many times someone will receive executive producer credit because of prior involvement with a property that has been optioned into a film, even if they had no direct input into the production of the film itself. Some instances of this include authors of optioned works, people who had previously owned or currently own the rights to a property, or someone who had been producing or had been involved in the production of a previous version of a film.
Television
In the production of a television show there may be many executive producers listed. Sometimes it may be a situation not dissimilar to the one listed immediately above for motion pictures: someone with previous involvement with a particular work, a financier of a project, or someone in control of the business aspect of production. Other times it is a celebrity or notable creator who has lent their name to a project but in reality has no input into the production.
In television, however, an executive producer might have more power than any other credited crew member - this is the case with the Show runner. Generally a show runner (still credited as an executive producer) is the creator of a series or an influential staff writer on the show whose role is to guide the overall creative progress of the show's story over the course of a season - they can be seen as the creative director of the show, and all creative decisions from casting to script approval goes through them. Usually, while there may be many producers and executive producers with varying responsibilities on a television series, there are just one or two in the position of show runner.
----
Så skulle det vist være på plads
Der findes mange typer af producere... også inden for spil-branchen, radiobranchen (se evt. på Roz i Fraiser) og så videre...
From Wikipedia, the free encyclopedia.
In the music industry, a record producer (or music producer) has many roles, among them controlling the recording sessions, coaching and guiding the performers, and supervising the recording, mixing and mastering processes. This has been a major function of producers since the inception of sound recording, but in the latter half of the 20th century producers also took on a wider entrepreneurial role.
In the first half of the 20th century, the record producer's role was comparable to that of a film producer, in that the record producer organised and supervised recording sessions, paid technicians, musicians and arrangers, and sometimes chose material for the artist.
In the 1950's this role was performed by the A&R (artist and repertoire) directors, one of the most notable of whom was musician and composer Mitch Miller at Columbia Records. Until the 1960s most producers and A&R directors were salaried staff on the payroll of major record labels, and most recordings were made at studios owned and operated by major record labels, such as the famous EMI Abbey Road Studios in London.
In the mid-1950s a new category emerged, that of the independent record producer. Among the most famous early independent producers are the famed songwriting-production duo Leiber & Stoller, Wall of Sound creator Phil Spector and British studio pioneer Joe Meek.
This change was facilitated by the introduction of high-fidelity magnetic tape recording technology in the mid-1950s, which dramatically altered the processes and economics of music recording. Magnetic tape enabled the establishment of independent recording studios in major recording centres such as London, Los Angeles and New York. Unlike the old record company studios, which were effectively a "closed shop", these new studios could be hired by the hour by anyone who could afford to do so.
The biggest and best commercial studios were typically established and operated by leading recording engineers. They were carefully constructed to create optimum recording conditions, and were equipped with the latest and best recording equipment and top-quality microphones, as well as electronic amplification gear and musical instruments.
Top-line studios such as Olympic Studios in London or United Western Recorders in Los Angeles quickly became among the most sought-after recording facilities in the world, and both these studios became veritable "hit factories" that produced many of the most successful pop recordings of the latter 20th century.
Prior to the 1950s, the various stages of the recording and marketing process had been carried out by different professionals within the industry -- A&R managers found potential new artists and signed them to their labels; professional songwriters created new material; publishing agents sold these songs to the A&R people; staff engineers carried out the task of making the recordings in company-owned studios.
Freed from this traditional system by the advent of independent commercial studios, the new generation of entrepreneurial producers -- many of whom were former record company employees themselves -- were able to create and occupy a new stratum in the industry, taking on a more direct and complex role in the musical process. This development in music was mirrored in the TV industry by the concurrent development of videotape recording and the consequent emergence of independent TV production companies like Desilu, established by '50s TV superstars Lucille Ball and her then husband Desi Arnaz Jr.
These producers now typically carried out most or all of these various tasks themselves, including selecting and arranging songs, overseeing sessions (and often engineering the recordings) and even writing the material (or at least claiming songwriting credits). Independent music production companies rapidly gained a significant foothold in popular music and soon became the main intermediary between artist and record label, signing new artists to production contracts, producing the recordings and then licensing the finished product to record labels for pressing, promotion and sale. (This was a novel innovation in the popular music field, although a broadly similar system had long been in place in many countries for the production of content for broadcast radio.) The classic example of this transition is renowned British producer George Martin, who worked as a staff producer and A&R manager at EMI for many years, before branching out on his own and becoming a highly successful independent producer.
As a result of these changes, record producers began to exert a strong influence, not only on individual careers, but on the course of popular music. Other notable past and present independent producers include Don Kirshner (The Monkees), Mickie Most (one of the most successful of all time), Tony Visconti (David Bowie, T.Rex), pioneering Australian producer Ted Albert (The Easybeats) and, more recently, American producer and label owner Rick Rubin (Beastie Boys).
Realising the potential for creating recordings that could match their musical vision, many successful recording artists have become producers in their own right. Examples are Nile Rodgers, Jeff Lynne, Brian Wilson and Brian Eno.
Some producers also became de facto recording artists, often creating records with anonymous studio musicians and releasing them under a pseudonym. Examples of this phenomenon include the records by fictional groups The Archies and Josie & The Pussycats, produced by Don Kirshner and Danny Jansen respectively, who were contracted by TV production companies to produce these records to promote the animated children's TV series of the same name.
In modern hip hop music, the producer is generally always expected to fulfill the roles of music composer and arranger in addition to the traditional duties of record production: hip hop producers usually create instrumental tracks (or "beats") on their own, and allow artists they work with to select a beat to record over from their collection. Some mainstream hip hop producers, including Dr. Dre, Kanye West, among others produce their recordings the traditional way, by supervising a team of musicians.
In modern electronic music (not to be confused with "electronica" music, but any music created using electronic equipment, which can include rap and r&b, as well as the many different categories of dance music and new age), the producer is often the only person involved in the creation of a musical recording, and is responsible for both writing, performing, recording and arranging the material. The term "producer" is nearly synonymous with "musician" in this field. This change has been partly due to the increase of inexpensive yet powerful music production software, which allows for entire tracks to be composed, arranged and recorded at home on a PC or laptop, allowing the traditional roles of a team of people can all be performed by one individual. Popular PC music production software packages include Cakewalk SONAR, Logic Pro, Cubase, Reason, and FL Studio (formerly "Fruity Loops").
With the advent of portable recording equipment, live album production has become much more cost effective than in the past couple decades. This has resulted in thousands of live music recordings flooding the internet and music stores. Notable live concert record producers include: Guy Charbonneau, Randy Ezratty, Eddie Kramer, Mark Cavener, Allen Reynolds, and Chuck Plotkin.
-----
Film producer
From Wikipedia, the free encyclopedia.
A film producer oversees the making of movies. The producer initiates, coordinates, supervises and controls matters such as raising funding, hiring key personnel, and arranging for distributors. The producer is involved throughout all phases of the filmmaking process from inception to completion of a project.
In the early 20th century, the producer also tended to wield ultimate creative control on a film project. However, with the demise of Hollywood's studio system in the 1950s, creative control began to shift into the hands of the director.
Changes in movie distribution and marketing in the 1970s and '80s gave rise to the modern-day phenomenon of the Hollywood blockbuster, which tended to bring power back into the hands of the producer. While marketing and advertising for films accentuates the role of the director, apart from a few well-known film makers it is usually the producer who has the greatest degree of control in the American industry.
Types of Producers
* Executive Producer: usually a representative, if not the CEO, of a motion picture production company that is producing a film, although the title may be given as an honorarium to a major investor.
* Producer: the classic producer who typically has the greatest involvement and oversight among a film's various producers. In smaller companies or independent projects, may be the equivalent of the Executive Producer.
* Co-Producer: usually reports to the Producer and is more involved in the day-to-day production
* Associate Producer: typically a title granted as a courtesy or to one who played some role in getting the film made
* Production Director: ^European^ A representative of the motion picture production company assigned to the set and given the authority to act in behalf of the senior production team members.
* Line Producer: oversees a film's budget and day-to-day activities
* Production supervisor
* Production manager
-----
Executive producer
From Wikipedia, the free encyclopedia.
Executive producer is a role in the entertainment industry that is sometimes difficult to clearly define. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only.
* 1 Music
* 2 Movies
* 3 Television
* 4 External links
Music
In the music industry the executive producer of a music album is usually in control of the overall decision making in how the album turns out: how many songs are placed in the final cut, which songs are used out of the tracks produced in the process of making the album, and in which order the songs go. Additionally in this instance, the executive producer is usually someone who has had a hand in producing some of the tracks on the album. Having a certain executive producer attached to an album is sometimes used as a selling point.
In some instances an executive producer may just be someone who "discovered" a particular act, or someone who represents an act, either as an agent or a lawyer. Other times it may just be someone who financed the production of the album.
Movies
An executive producer of a motion picture is typically a producer who is not necessarily involved in any creative or technical aspects of production. They generally handle business issues, and may be a financier of a movie. Some executive producers act as representatives of the studio or production company that is releasing or producing a film, occasionally being credited as Executive in charge of production.
Many times someone will receive executive producer credit because of prior involvement with a property that has been optioned into a film, even if they had no direct input into the production of the film itself. Some instances of this include authors of optioned works, people who had previously owned or currently own the rights to a property, or someone who had been producing or had been involved in the production of a previous version of a film.
Television
In the production of a television show there may be many executive producers listed. Sometimes it may be a situation not dissimilar to the one listed immediately above for motion pictures: someone with previous involvement with a particular work, a financier of a project, or someone in control of the business aspect of production. Other times it is a celebrity or notable creator who has lent their name to a project but in reality has no input into the production.
In television, however, an executive producer might have more power than any other credited crew member - this is the case with the Show runner. Generally a show runner (still credited as an executive producer) is the creator of a series or an influential staff writer on the show whose role is to guide the overall creative progress of the show's story over the course of a season - they can be seen as the creative director of the show, and all creative decisions from casting to script approval goes through them. Usually, while there may be many producers and executive producers with varying responsibilities on a television series, there are just one or two in the position of show runner.
----
Så skulle det vist være på plads
Der findes mange typer af producere... også inden for spil-branchen, radiobranchen (se evt. på Roz i Fraiser) og så videre...www.chartattack.dk og #chart.dk @ EFnet administrator - come join us, it's fun!
"TV is chewing gum for the eyes" - Frank Lloyd Wright
"TV is chewing gum for the eyes" - Frank Lloyd Wright
En producer er ham der laver det færdige produkt 
Lad os sige der sidder en komponist, han arbejder så på et projekt de får penge for, (Det kunne f.eks. være for Groove Coverage), Så leverer de en melodi og stropher. Så kan en sangskriver tage over .. Til sidst så får f.eks. groove coverage sangen og den komponerede melodi. Så laver Produceren et track, (selve musikken) , og så til aller sidst indspiller Veronica sangen...
bla bla...
Lad os sige der sidder en komponist, han arbejder så på et projekt de får penge for, (Det kunne f.eks. være for Groove Coverage), Så leverer de en melodi og stropher. Så kan en sangskriver tage over .. Til sidst så får f.eks. groove coverage sangen og den komponerede melodi. Så laver Produceren et track, (selve musikken) , og så til aller sidst indspiller Veronica sangen... bla bla...